Booth Ready — Sample Package

The full five-document package, from a real book.

Below is the complete deliverable a narrator or author receives when they hire Booth Ready — five purpose-built documents, demonstrated on the opening stories of The Adventures of Sherlock Holmes by Arthur Conan Doyle. Public domain, so you can inspect every working file. Each deliverable ships as both Word and PDF — download either format below.

Reference book
The Adventures of Sherlock Holmes
Author
Arthur Conan Doyle (public domain)
Sample scope
Stories I–II
Full book delivered
Every chapter, no matter the length

The package

Five documents. One workflow. Booth-ready.

Each document does one job. Together they let a narrator walk into the booth, open the script, and record from the first line without stopping to look anything up.

Narration / action Dr. Watson (POV) Sherlock Holmes Irene Adler Performance / pacing note
1

Narrator Script

Full chapter text with dialogue color-coded by character, inline phonetic markup on hard names and places, and breath marks at long sentence joints. Large readable font built for booth distance.

To Sherlock Holmes she is always the woman [Irene Adler — eye-REE-nee AD-ler]. I have seldom heard him mention her under any other name.

Performance note: Watson's opening — measured, reverent. Slight wistfulness on "the woman."

"You have been in Afghanistan, I perceive."

"How on earth did you know that?"

Pacing note: Holmes lands the deduction flat, almost bored. Watson's reply is genuinely startled — a half-beat of surprise before the line.

Stories I–IIscope
Color-codedper speaker
Phoneticsinline
2

Pronunciation Guide

Every proper noun, weapon, vessel, military term, and foreign word grouped by first-appearance chapter — each with a simple respelling. Items flagged with a star ⭐ are sent to the author for confirmation.

Sample entries Irene Adler ⭐ — eye-REE-nee AD-ler (confirm vs ee-RAY-nuh)
Wilhelm Gottsreich Sigismond von Ormstein ⭐ — VIL-helm GOTS-rysh ZIG-iss-mund fon ORM-stine
brougham — BROOM (light four-wheel carriage)
Saxe-Coburg Square ⭐ — sax KOH-burg (confirm British vowel)
Tableformat
Stories I–IIsample
⭐ flaggedfor author
3

Character Sheet

A profile for every speaking character: assigned color, role, vocal description, physical, background, personality, and working voice direction. Color assignments lock at first appearance and stay consistent across a series.

Sample profile — Sherlock Holmes Color: Gold (#806000)
First appears: Story I, second paragraph
Role: Consulting detective — analytical, theatrical when he chooses to be
Voice direction: Cool, clipped, precise. Mid-to-upper register. Lands deductions flat, as if reading a timetable. Sparks alive only when the case is worthy.
Every speakerprofiled
Color-lockedat first line
Voice directionper character
4

Chapter Synopsis

One short card per chapter — setting, what happens, emotional beat, and any continuity flags. Skim it before each session to land the right register from the first line of recording.

Sample card — Story I: A Scandal in Bohemia Setting: Baker Street and St. John's Wood, London — 1888, gaslit evening.
What happens: The King of Bohemia hires Holmes to recover a compromising photograph from Irene Adler before his royal marriage. Holmes stages a fire to flush the hiding place — and is outwitted.
Beat: Wry, theatrical, then quietly admiring. Land Holmes's defeat with respect, not embarrassment.
One cardper chapter
Setting · beat · flags
Skim before recording
5

Author Questions

A short list of anything that couldn't be resolved from the manuscript alone — pronunciations, character voice preferences, tone calls. Sent to the author once, early. Record without ambiguity.

Sample questionsIrene Adler: Using eye-REE-nee AD-ler — please confirm. Alternative: ee-RAY-nuh.
Wilhelm Gottsreich: Full German pronunciation VIL-helm GOTS-rysh ZIG-iss-mund fon ORM-stine — preferred or anglicized?
Holmes's accent: Received Pronunciation, light British — fits intent, or pure neutral American?
Short listonly
Sent onceearly
Bulletedby category

Two formats, one workflow

Why every document ships as both Word and PDF.

Every Booth Ready deliverable lands in your inbox in two formats, side by side. They serve different jobs — and the two always stay in sync. Every revision regenerates both. You never have to choose.

Word (.docx) — your working copy

Open it, edit it, mark it up. Change a phonetic spelling, tweak a voice note, rewrite a synopsis line, add a comment in the margin. This is the version you and I revise together during prep.

PDF — the locked delivery copy

Renders identically on every device — laptop, iPad in the booth, phone preview on the couch. No font swaps, no reflowed tables, no "where did my callout go." This is the version your narrator opens when it's time to record, and the version a publisher or producer sees when you forward the package.

Edit in Word. Deliver in PDF.

A note on this sample

This is the prep package — not the recording.

Booth Ready is a document deliverable, not an audiobook. The five files above are what a narrator (or an author hiring a narrator) receives. The author's words are never altered — only annotated for booth use. This demo shows Stories I–II of The Adventures of Sherlock Holmes, chosen because it's in the public domain and free for you to inspect. In a full delivery, every chapter of your manuscript is processed identically — however many chapters the book contains.

Ready for your book

Send the manuscript. The preview is free.

Chapter one of your book in the full Booth Ready treatment — color-coded script plus the four companion documents — returned within a few days. No payment until you've reviewed it.